• Original research article
  • July 20, 2010
  • Open access

THEATRE AS THE FORM OF ALBERT CAMUS'S SELF-EXPRESSION

Abstract

The article reveals the main problems of tragical works creation according to Albert Camus. The author analyzes the reasons of diverse critics' attitude to the writer's dramatic works, to his attempts to find a special language able to express the problems of his epoch.

References

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  3. Camus A. Carnets I (mai 1935 - fevrier 1942). Paris: Gallimard, 1962.
  4. Camus A. Le Mythe de Sisyphe. Paris: Gallimard; Folio essais, 1992.
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  6. Camus A. Théâtre, Récits, Nouvelles. Paris: Gallimard, 1962.
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  9. Gay-Crosier R. Les envers d'un échec, étude sur le theatre d'Albert Camus. Minard, 1967.
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  11. Lebesque M. Camus. Paris-Seuil: Ecrivains de toujours, 1963.

Author information

Nargiza Tolibovna Salomova

Bukhara State University

About this article

Publication history

  • Published: July 20, 2010.

Keywords

  • театр
  • драматургия
  • трагедия
  • трагизм
  • трагическое выражение
  • трагический язык
  • метафизический план
  • игровой план
  • theatre
  • dramatic works
  • tragedy
  • tragic element
  • tragical expression
  • tragical language
  • meta-physical plan
  • live-action plan

Copyright

© 2010 The Author(s)
© 2010 Gramota Publishing, LLC

User license

Creative Commons Attribution 4.0 International (CC BY 4.0)