SYNTHESIS OF LAUGHTER FORMS IN TATAR SATIRICAL NOVEL OF THE 90S OF THE XX ^TH CENTURY

Abstract

The article considers the comic component in the Tatar novel of post-Soviet period. The author mentions that the ways of the Tatar literature development at the turn of the ХХ ^th-ХХI ^st centuries are determined by the social-political changes in Russia. The analysis of Z. Hakim’s and T. Minnullin’s novels enables to trace the development of the grotesque beginning. It is proved that the paradox is transformed from the artistic means into a way of seeing and interpreting the phenomena of moral and social life. The author comes to the conclusion that the mock-ironic style of these writers acts as a way of understanding the actual phenomena of social reality.

References

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Publication history

• Published: January 15, 2014.

Keywords

• татарская проза
• роман
• пародия
• антиутопия
• гротеск
• аллюзивная ирония
• Tatar prose
• novel
• parody
• dystopia
• grotesque
• allusive irony

Copyright

© 2014 The Author(s)
© 2014 Gramota Publishing, LLC

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Creative Commons Attribution 4.0 International (CC BY 4.0)