• Original research article
  • June 1, 2015
  • Open access

THE PRINCIPLE OF HISTORICISM IN THE TRILOGY “AMBASSADORS OF THE MOUNTAINS” BY V. TSAGOLOV

Abstract

The article reveals the peculiarity of the artistic expression of the historical moment of joining Ossetia to Russia in the trilogy “Ambassadors of the Mountains” by V. Tsagolov. The writer examines the problem of the national significance: the aspiration “to put down” his own national world into a big and objective world and to move on to the issues of the mankind, that is to make a step from the private facts of a mountainous history to a big, universal history.

References

  1. Фидарова Р. Я. Осетинский роман ХХ века. Проблемы истории и теории. Владикавказ: Изд-во СОГУ, 2007. 304 с.
  2. Фидарова Р. Я., Кайтова И. А. Особенности художественного характера в осетинском романе-мифе // Филологические науки. Вопросы теории и практики. Тамбов: Грамота, 2014. № 5 (35). Ч. 1. С. 182-184.
  3. Цаголов В. Послы гор. Трилогия. Орджоникидзе: Ир, 1983. 730 с.

Author information

Rima Yaponovna Fidarova

V. I. Abaev North-Ossetian Institute of Humanitarian and Social Studies of Vladikavkaz Scientific Center of the Russian Academy of Sciences and the Government of the Republic North Ossetia-Alania

Irina Anatol'evna Kaitova

North Ossetian State University named after K. L. Khetagurov

About this article

Publication history

  • Published: June 1, 2015.

Keywords

  • национальный характер
  • исторические обстоятельства
  • диалектика характера
  • художественное своеобразие
  • всеобщая история
  • national character
  • historical circumstances
  • dialectics of a character
  • artistic peculiarity
  • universal history

Copyright

© 2015 The Author(s)
© 2015 Gramota Publishing, LLC

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Creative Commons Attribution 4.0 International (CC BY 4.0)