• Original research article
  • December 1, 2016
  • Open access

THE COMMUNITY OF POETICS IN WEDDING-RITUAL POETRY OF THE SMALL NATIONS OF SOUTHERN DAGESTAN

Abstract

The article discusses the artistic originality of wedding-ritual poetry of three small nations of southern Dagestan. The paper emphasizes the significant role played by the connection of the text and melody, the music community of all southern Dagestan peoples, reveals their national identity. It is noted that in the wedding-ritual poetry of all three peoples descriptive and expressive means are widely used, and the priority is given to symbolism, techniques of parallelism. Various methods of wedding songs rhyming are considered: cross, adjacent, ring one.

References

  1. Ибрагимова Ф. М. Свадебный обряд рутулов // Дагестанское село: вопросы идентичности. М.: Институт востоковедения РАН, 1999. С. 180-190.
  2. Курбанов М. М. Поэтическое наследие дореволюционного Табасарана. Махачкала, 1986. 81 с.
  3. Тарланов З. К. Агульские песни и пословицы. Петрозаводск, 2003. 132 с.

Author information

Fatima Magomedovna Ibragimova

Institute of Language, Literature and Art named after G. Tsadasa of Dagestan Scientific Center of the Russian Academy of Sciences

About this article

Publication history

  • Published: December 1, 2016.

Keywords

  • свадебный церемониал
  • ритуалы
  • герои свадебных песен
  • жених
  • невеста
  • форма бенда
  • рифмовка
  • специфические символы
  • восточная поэзия
  • wedding ceremony
  • rituals
  • characters of wedding songs
  • groom
  • bride
  • bend shape
  • rhyming
  • specific symbols
  • Eastern poetry

Copyright

© 2016 The Author(s)
© 2016 Gramota Publishing, LLC

User license

Creative Commons Attribution 4.0 International (CC BY 4.0)