“INDIVIDUAL SENSUALITY” IN THE TATAR POETRY AT THE TURN OF THE XX-XXI CENTURIES: RAMIS AIMET’S CREATIVE WORK
Abstract
By the example of Ramis Aimet’s creative work the article identifies the esthetic nature of changes in the Tatar poetry at the turn of the XX-XXI centuries. This period in the history of Tatar literature is considered as the period of literary code change caused by abandoning the previous tradition. Analyzing certain poetical texts the author concludes that at the turn of the XX-XXI centuries in the Tatar literature there appeared the works in which the internal feelings - soul motions became the source of chaotic worldview. Such peculiarity manifests itself, first of all, in the creative work by the talented poet R. Aimet. The specificity of poet’s creative work involves the representation of unusual lyrical hero, hyper-emotional and capable to share the pain of all the mankind. Through this hero the poet proposes the idea that human’s depth, inner beauty and force involve the emotional perception of existence, and the meaning of life is the ability to experience strong emotions.
References
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Publication history
- Published: April 1, 2017.
Keywords
- коллективная чувственность
- индивидуальная чувственность
- современная татарская поэзия
- национальные культурные традиции
- постмодернизм
- collective sensuality
- individual sensuality
- modern Tatar poetry
- national cultural traditions
- post-modernism
Copyright
© 2017 The Author(s)
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