POETICS OF ZULFU LIVANELI’S FICTION
Abstract
The article discusses the poetic features of the novel creativity of the famous contemporary Turkish fiction writer Z. Livaneli by the example of his two most popular novels “Serenade” (2011) and “My Brother’s Story” (2013). It is proved that the literature-centrism of Z. Livaneli’s poetics is determined by intertextual play with the clichés of “high” classics (romanticism, sentimentalism, realism, postmodernism) and “low” mass literature. The analysis of the writer’s literary strategies leads to the conclusion that the author is oriented toward a reader with the average level of competence in reading, which inevitably leads to the simplified form of intertextuality in his works (decoding quotes, allusions and clichés).
References
- Чернов А. В. Русская беллетристика 20-40-х гг. ХIX в. (вопросы генезиса, эстетики и поэтики). Череповец: ЧГУ, 1997. 347 с.
- Черняк М. А. Массовая литература ХХ века: учебное пособие. М.: Флинта; Наука, 2009. 432 с.
- Livaneli Z. Kardeşimin Hikȃyesi. İstanbul: Doğan Kitap, 2013. 325 s.
- Livaneli Z. Serenad. İstanbul: Doğan Kitap, 2011. 482 s.
Author information
About this article
Publication history
- Received: October 25, 2018.
- Published: December 15, 2018.
Keywords
- турецкая беллетристика
- Зюльфю Ливанели
- романы «Серенада» и «История моего брата»
- упрощенная интертекстуальность
- поэтика повседневности
- констатирующая романная идеологема
- травестийная игра с цитатами и аллюзиями
- уровень читательской компетенции
- Turkish fiction
- Zulfu Livaneli
- novels “Serenade” and “My Brother’s Story”
- simplified intertextuality
- poetics of everyday life
- ascertaining novel ideologeme
- travesty play with quotations and allusions
- level of competence in reading
Copyright
© 2018 The Author(s)
© 2018 Gramota Publishing, LLC