BIG CITY IN HINDI “NEW POETRY”

Abstract

The article reveals the portrayal peculiarities of the big city as the main scene in the poems of the Hindi “new poets”, such as S. D. Saxenā, R. Sahay, К. Narayan, К. Singh, who related to modernist literary trend that appeared in the Indian literature at the end of the 40s. In connection with the turnabouts, which took place in India during this period, the subject matter of poetic works was also changed – the man’s portrayal in urban environment came to the foreground with new social relations, different from rural ones.

References

1. Сенкевич А. Н. Основные тенденции развития «Новой поэзии» // Художественные направления в индийской литературе ХХ века. Поэзия хинди. М.: Наука, 1977. С. 246-293.
2. Agyeya. Dūsrā saptak. Dillī: Bharatiya Gyanpith, 1996. 188 р.
3. Agyeya. Tār saptak. Dillī: Bharatiya Gyanpith, 1996. 169 р.
4. Rosenstein Lucy, New poetry in Hindi. New Delhi, 2004. 178 р.
5. Šarma Rāmvilās. Nayī kavitā aura astitvāvad. Naī Dillī: Rājkamal Prakāšan, 2003. 298 р.
6. Šarma Sureš. Raghuvīr Sahāy kā kavikarma. Delhi, 1981. 245 р.
7. Saxenā Sarvešwardayāl. Kavitāen – 2. Naī Dillī: Rājkamal Prakāšan, 1978. 166 р.
8. Singh Kedārnāth. Akāl men Sāras. Naī Dillī: Rājkamal Prakāšan, 1996. 110 р.

Author information

About this article

Publication history

• Published: December 12, 2013.

Keywords

• «новая поэзия» хинди
• город
• Сарвешвар Даял Саксена
• Рагхувир Сахай
• Кунвар Нараян
• Кедарнатх Синх
• Hindi “new poetry”
• city
• Sarvešwardayāl Dayal Saxenā
• Ragkhuvir Sahay
• Kunwar Narayan
• Kedārnāth Singh

Copyright

© 2013 The Author(s)
© 2013 Gramota Publishing, LLC

User license

Creative Commons Attribution 4.0 International (CC BY 4.0)